William Bradley graduated with a Masters degree from Wimbledon College of the University of the Arts London in 2008, selling out his end of year show. He has since been selected for FutureMap 08 and the Catlin Art prize 2009 and 2011. His work is included in several major collections.

 

Bradley's work is both abstract art and about abstract art. Viewing the idea of the pure abstract language as problematised by its lack of communication from artist to viewer, Bradley builds in a more communal language of references or quotes from abstract art history, from Abstract Expressionism and artists such as John Hoyland, Sandra Blow and Eduardo Chillida. William Bradley's paintings distort art historical references deconstructing the role of abstraction in both modernism and contemporary art practice. Bradley defies previous notions of abstract art history by recycling past formulas from Abstract Expressionist artists such as Rothko, de Kooning and Motherwell. As Vincent Honoré, Director of the David Roberts Art Foundation, claims 'William Bradley is a perverse Abstract Expressionist'.

 

(fundamental) PAINTING blog goes further by stating: "Scale is an unavoidable issue in much of Bradley's work. With his most expansive canvasses measuring more than 2m squared his paintings seem designed to confront.  This size combined with bold, flat colour makes for work which on first glance appears quite competitive. These are not however art billboards selling abstraction. The imagery is at odds with the rest of the package. Bloated, bulbous abstract forms don't bring home a message; they do not tell you something you need to know. Instead Bradley's structures compete with the slickness of their execution."